Jingdu Club House 晶都會館
設計理念 Concept

本案是業主蕭先生將水晶藝品事業與家鄉閒置空間結合而成的會館空間。其所在地位於南投縣水里鄉,佔地約六百坪,一部分為舊屋再生;另一部分為新建。由於業主對於佛學禪修意境的喜好,因此在規劃中特重視對自然景觀的融入。基地視野所及四面環山,向東可遠眺玉山主峰,向南濱臨濁水溪畔,週遭有廣大的腹地種植大片果樹林。本案以中國式禪風空間概念為主軸,除掌握簡約、樸拙的風格外,還應用原木、茅草、燻竹等自然建材融入光、水、植栽之中,並以鐵件與水晶之粗實和晶瑩材質對比為關節構件裝飾,展現自然和細部的對話,處處顯現休憩生活的禪味和「即景會心」的禪悟。模式語言設計方法操作共分景觀空間、建築外觀、室內空間三大類。基地四大區的空間建物之細部設計分別以30個設計模式為概念指標進行設計實務。本案係以生活禪之理念切入,以邏輯演進的設計理路,將禪風空間的品質界定於設計細部施工中。

本案之禪風空間表現即是掌握禪的「妙悟」,不是完全抽象的意識,而是從實景中「即景會心」的拈花微笑之悅(張文勛,2004:225)。中國儒家禪風表現是「從自然融和形上境界的感悟中引向現實生活的豐富心靈」。具體來說就是關切基地優美的自然和在建築的自然材料中仔細經營材質的細部妙悟。

This project is to undertake the idea of our client, Mr. Shiao, to combine his crystal career with the houses and land lay unused in his hometown. Located in Shueili-Li Hsien, Nan-Tou county, the area for Jingdu Club House is about 1900 ㎡ which includes one new constructed house, and two old houses for renewal. The owner is deeply interested in the Buddhism and Zen, so the main focus of the design is to merge Zen into the nature landscape. This project site is surrounded by mountains; to its eastern side, the Yushan peak is in the far distance; the Juo-Hsuei Creek flows down the southern side. There’s a huge central region planted with fruit trees. This project puts an emphasis on the simple and plain style in terms of Chinese Zen-feeling. The natural materials, such as timbers, thatches, and smoked bamboos, have been integrated into the light, with the water and the plantations in order to inspire the consciousness of Zen in one’s heart when viewing the landscape. The design methods of pattern language are manipulated in three categories: 1. the landscape space; 2. the building exterior; and 3. the interior space. Being surrounded by the nature landscape. The pattern language of design concept describes 30 design qualified patterns to realize the criteria of working details. The concept of this project is derived from the Zen in daily life, thus the house space has been created with the facility essence.

The Zen-feeling space of this project displays the intuition of Zen, not with the completely abstract consciousness, but with the happiness and inspiration of Zen created from viewing the nature landscape. In China, the display of Zen in Confucianism is being touched and inspired by the nature landscape and developing an abundant spirit in the real life. Specifically, the ultimate concerns of this project are to preserve the beautiful nature in the project site and create the subtle intuition derived from carefully dealing in the characters of the natural materials.

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